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Towards the mid 90′s Macs were creeping in, they were better computers, even better than the Atari ST 1040 model, they had colour screens and it wasn’t long until we had the capability to record and edit audio to a degree. So back then, Cubase was my sequencer of choice and I zipped around on it like lightning as I knew it so well. I think before Notator, they were called Creator but let’s not go there! Speaking of Apple, in those days Macs were quite new on the music production scene and Atari ST’s were always thought of as more stable, and they were rock solid timing wise. Later on Emagic changed the name from Notator to Notator Logic then finally settled at Logic long before Apple bought them out of course.
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Cubase on the other hand was a lot more intuitive giving us the ability to drag, drop, copy and paste blocks of midi information. from what I remember, Notator looked like the event list in Logic and that was it. The two most popular sequencers were Steinberg’s Cubase and Emagic’s Notator. Lisa and Maddy at the Roundhouse were the exception there – they went on to manage me when I went freelance as a mix engineer. I went freelance as an assistant as soon as possible as I got on well and was in demand from engineers and producers but didn’t get on so with with the management who ran the studios.
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Back then for sampling, we had the classic Akai S900 and S950 and later the Akai S1000. Obviously all audio was dealt with using 24 track 2″ tape with up to 3 slaved together synchronised with lynx synchronisers. When I very first started in the olden days (early 90′s) we all used Atari STs with a whole 512k of Ram for sequencing Midi and not much else.
Akai mpc 2 audio engine not working pro#
MPC 2.Okay I don’t suppose I am the first nor will I be the last to raise this question that is which DAW is best out of Logic, Pro Tools, Ableton or Cubase but here is part one of my thoughts and coming up soon, part two and the thoughts of Garnish School of Sound instructors, Al, George and Paul. 10 new Drum Pad effects are also included to distort sounds and go deeper with sound design. Seven new effects are included in the MPC 2.10 update, including Half Speed, Stutter, Diode Clipper, AIR Diffuser Delay, Granulator, Sample Delay and AIR Limiter. It was created with circuit-modelled oscillators and filters and boasts a fully automated GUI. WayOutWare Odyssey is a “faithful recreation of the all-time favourite analogue duophonic synth”, Akai says. These AIR devices include the AIR Flavor effects panel to apply a variety of lo-fi textures, including radio and phone simulations, distortion, tape flutter and more.
Akai mpc 2 audio engine not working software#
AIR Solina is a software version of a classic string synthesizer with the ability to craft single string parts and layered ensemble tones with ease. A range of macro controls enable producers to create and configure new sounds to save as their own.ĪIR Mellotron is based on the famous sample-based keyboard machine, which is most notably used in the intro of The Beatles //Strawberry Fields Forever. For even bolder vocal tracks, the AIR Vocal Harmonizer can instantly create layered harmonies on top of the original, turning a single voice into a huge four-part vocal backing section – no recording, editing or stacking necessary.įour new instruments arrive with MPC 2.10, including AIR Hype, AIR Mellotron, AIR Solina and WayOutWare Odyssey.ĪIR Hype is taken from the Akai Pro Force, coming to MPC for the first time with over 1,500 presets for pianos, analogue synths, wavetable pads, leads, FM sounds and more. Vocal Tuner can be used to make subtle corrections or to apply the classic T-Pain-style tuned vocal sounds without bouncing down vocal stems to load into a DAW.ĪIR Vocal Doubler lets producers swiftly thicken up vocal tracks, creating a layered sound and enhancing the stereo image for stronger vocal parts that cut through the mix.
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The AIR Vocal Tuner is the first-ever vocal tuner for standalone MPCs that can use pitch correction to tweak vocal lines. MPC users will now have access to a dedicated suite of plug-ins designed to capture and produce “the perfect vocal recordings, right from standalone MPC devices”, Akai says in a press release.